An artist’s book reworking Fanny Lewald’s 19th-century autobiography by cutting and rearranging its’ text. The resulting novelette creates a rhythmic, fragmented portrait of a moody 30-year-old woman.

Tracing John Constable’s landscapes, this series reflects on romantic notions of artistic exploration in nature. The journey unfolds not en plein air but indoors, questioning tradition and authenticity.

This photo series pays homage to Cindy Sherman’s Untitled Film Stills. Laufer inserts herself into Sherman’s iconic poses, pretending to be Sherman pretending to be an actress, creating a layered play on authenticity, identity, and authorship.